FitzGerald's Inspiring 2012 State of the County Speech

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2012 State of the County Since 2009 when the voters of Cuyahoga County changed their County structure, threw out their three Commissioners and elected a new County Executive, citizens have watched as the old regime has been put on trial (literally), and reform has started to happen, more quickly than anyone had dared hope. Just over one [...]

Politics is front of mind here in the Midwest. We’re also thinking about what to wear, watch, and where our friends went. Here’s a roundup of our top Changing Gears stories this week.

WiSCONSIN: Niala Boodhoo went to Madison, where she showed us how union members are still protesting a year after Gov. Scott Walker eliminated public employee collective bargaining rights. She reported on how they’re faring.

RIGHT TO WORK: Indiana is now the nation’s 23rd Right to Work state, only two months after Gov. Mitch Daniels made the legislation one of his top priorities. Will Michigan be next?

MIDWEST MIGRATION: Our Public Insight team has been tracking the stories of people who’ve left our states. There’s still time for our exiles to call us and leave messages for the folks back home. Meanwhile, read much more on our dedicated page.

T-SHIRTS: If you seek a Midwest t-shirt, look about you. Dustin Dwyer found our states are chock full of small companies making t-shirts that represent our region.

DIY DETROIT: Have you found that all those documentary films about Detroit are starting to look the same? Dustin offers you a how-to kit for making your own Detroit documentary.

Finally, a shout out to Troy “Trombone Shorty,” who sings the Changing Gears theme. He’s been immortalized by the New Orleans Jazz Fest.

Ed Morrison · Signing off

February 3rd, 2012

After a number of years of writing for BFD, I’ll be moving on.

My duties at Purdue are expanding, and I’ll be relocating to Purdue. With my colleagues from around the country, I’ll be building out a national network of colleges and universities to support regional innovation and the new discipline of Strategic Doing. You can read more here.

BFD has been an enjoyable platform for me to share my thoughts on economic development in Cleveland. Best wishes to you all.


NFL Network

Madonna talked about her love of the Midwest during an interview on the NFL Network yesterday. She's performing the halftime show at the Super Bowl in Indianapolis on Sunday.

This year’s Super Bowl is between two east coast teams, but everything else about it is a showcase for the Midwest. The game itself is in Indianapolis, which gives the city global media exposure.

And then there’s the halftime show performance by Madonna. Before she was the Material Girl, Madonna was just a Midwestern girl.

Yesterday, Madonna sat down for an interview with the NFL Network’s Rich Eisen, and the conversation seemed to promote the Midwest as much as it promoted football.

Madonna talked about her high school in Rochester, Mich., and her love of the University of Michigan.

Eisen, himself a Michigan grad, kicked off the lovefest.

Go Blue,  Madonna. I never thought I would say that.

The two former Wolverines high-fived, then Madonna told Eisen:

I want my daughter to go to school there … I keep telling her Ann Arbor is an awesome place.

The whole exchange got us thinking: The Midwest has been producing pop-culture icons as long as there’s been a popular culture in this country, but who’s the greatest cultural ambassador of the Midwest today?

Whether you like the song or not, Kid Rock’s “All Summer Long” is practically a tourism ad for northern Michigan. Eminem, too, has done his share to promote Michigan.  Cleveland has Drew Carey. Kanye West, a controversial entertainer if ever there was one, still has plenty of love for Chi-town.

So, who’s your favorite cultural ambassador for the Midwest?


Name:Geoffrey Taylor
Midwest Home: Sioux City, IA
New Home
: Eddyville, OR

My knowledge of my hatred of and my love of the Midwest is informed by many years spent there.

My high school is now a vacant lot, where scabrous alley cats urinate in the dirt, and the cold wind blows old papers in the same spot where I had to study algebra.  Yet my mind goes back to the room where Miss Edith Pollock taught me how to write.

I love Sioux City so much it hurts.  I wish to hurt it back.

Would I move back to the Midwest? Not if they made me the governor of Iowa.  Not for a million dollars in cash.  Not at gunpoint.  Not if I got to relive it all, and be a teenager again.  But the memories of that place and time are precious.


Yesterday, we offered our how-to guide for making your own documentary about Detroit.

Now our partners at the Public Insight Network want your thoughts. What would you include in your Detroit documentary?


The part that’s not so Super It’s Super Bowl weekend in Indianapolis. Cities that host the Super Bowl are usually hoping for a big economic boost. But there’s one kind of economic activity that Indiana officials are hoping to avoid: sex trafficking. Reporter Michael Puente from partner station WBEZ had a look at the city’s efforts last week.

Land for sale If you’re looking to buy some land, you might want to check in with Cleveland-based the Forest City real estate company. The company, which built its empire on land purchases, is now looking to unload more than 6,500 acres of land.

An art tax? The Detroit Institute of Arts has a world class reputation, but lately it hasn’t been making world class money. Institute leaders are exploring the option of a new regional tax to pay for operations.

The (not so much) money train Leaders in West Michigan have rounded up $4.6 billion in funds to improve regional rail lines. But that’s still $2.6 billion short of what they need for what they’re hoping to do.

On air NPR’s Talk of the Nation took on the future of American manufacturing jobs yesterday.


Call it the Timex of assembly plants. Chrysler’s Belvidere, Ill, factory takes a licking and keeps on ticking.

Dodge Dart at the Detroit Auto Show

On Thursday, the carmaker said it will add 1,800 jobs at Belvidere, in northwestern Illinois, not far from the Quad Cities area. Some of the workers will make the new Dodge Dart, a revival of the 1970s nameplate, which Chrysler unveiled at the Detroit Auto Show. Others will produce the Jeep Liberty and Compass.

For Belvidere, and surrounding Boone County, the jobs are welcome. The area, where one in five people work in manufacturing, had a 14.4 percent unemployment rate in December, far higher than the national average.

Belvidere, which opened in 1965, has 2,700 workers, and has built a wide variety of cars for Chrysler, ranging from the small Plymouth Horizon and Dodge Omni to the big Imperial and New Yorker sedans and the Dodge Neon subcompact.

It lost 1,000 workers in 2008, not long before Chrysler got a bailout from the Obama administration and went through bankruptcy.

At one point, there was a single shift of workers at the factory, which seemed like it might be on the industry’s endangered list.

But Illinois gave the company a $68 million package of tax breaks and other incentives last year, and Chrysler is investing $700 million in the factory for improvements leading up to production of the Dart. New workers at the plant will be paid entry level wages of about $15 an hour, compared with the $28 an hour that veteran workers receive. They are expected to be hired by this summer.


Troy “Trombone Shorty” Andrews is special to us at Changing Gears. He gave us his song “Right to Complain,” for the Changing Gears theme song. He’s doing his part to help kids in New Orleans, in the same way that people are trying to help out in the Midwest.

Trombone Shorty

Now, Andrews has gotten the ultimate New Orleans honor. He’s the subject of this year’s Jazz and Heritage Festival poster. It’s called Porch Song, and shows Andrews on the porch of his home in Treme. The artist is Terrance Osborne.

Andrews, 25, is joining a heralded group of musicians who’ve appeared on the poster, including Irma Thomas, Allen Toussaint, Louis Prima, Jimmy Buffett, and Fats Domino.

We talked to him not long after Changing Gears went on the air in 2010. Hear his interview a few months ago with our friends Greg Kot and Jim DeRogatis on Sound Opinions, from our partner station WBEZ.


flickr user trevor.patt

The Michigan Central Depot is a must-have shot for any documentary about Detroit.

Detroit is a city that fascinates a lot of people.

Its story is not a simple one, though it has sometimes been a dramatic one. So maybe it’s not surprising that we seem to hear every week about a new documentary film being made about Detroit.

Changing Gears hasn’t had a chance to see all of these documentaries, but we’ve heard about an awful lot of them.

And we’ve noticed some patterns that we thought could be helpful in case you ever decide to make a documentary about the Motor City.

So, here is our DIY guide for how to make a Detroit documentary:

Opening shot:
An abandoned building sits desolate in the morning light. Tufts of yellowed grass sprout up among the cracked concrete and bent steel. The grass blades wave weakly with the wind, as if in surrender.

Once the shot establishes, you can add a voice-over, and possibly some sad music.

Suggested locations:

Act One: “Paris of the Midwest”
After you visually establish that Detroit is a rotting mess of industrial decay, you’ll need to remind your audience of the glory days. Be sure to refer to Detroit as the Motor City as much as possible.

You should also use phrases like “put the world on wheels,” “gave rise to the middle class” and “Paris of the Midwest.” You can even get archival footage of Detroit on YouTube.

Once that’s established, you’ll want to cue up some ominous music. It’s time to show people the city’s rapid and depressing decline. In the past, if you were making a documentary about Detroit, now would be the time to show footage from the 1967 riots.

But using the riots as a way to describe Detroit’s decline has fallen somewhat out of fashion. You can still mention the riots, but be sure to mention that other cities had riots too, and that the city’s downfall can’t be blamed on this one set of events. Still, you’ll have to blame the decline on something, so here’s a list of possible scapegoats:

  1. Corporations
  2. Globalization
  3. The Federal Government
  4. The State Government
  5. Unions
  6. Racism
  7. Disinvestment
  8. The declining social fabric of America
Act Two: The Post-Apocalyptic Hell-Scape
This is the part of Detroit documentaries that gets people most excited, so don’t hold back. Some choose to skip the other parts of the story completely and just do an entire documentary on this. Either way, you’ll need lots more shots of abandoned places.

This time, visit some neighborhoods on the outskirts of downtown. You can get shots of empty blocks, crumbled houses and graffiti. Pay special attention to the places where vegetation has started growing up through concrete. In a Detroit documentary, you can never have too many of those shots.

It’s also important to put a human face on this part of the story. You should try to find someone with big, watery eyes who’s old enough to remember the good days in Detroit. If you’re lucky, they’ll tell you about bullets being shot through their window, drugs taking over their street and the inevitable hopelessness that every poor soul left in Detroit can’t help but feel.

If you’re really lucky, they’ll ask you to stop taping so they can cry. It goes without saying that this person should be extremely poor and preferably black.

End the act with a long, lingering pause, so that your audience can fully feel the visceral, unending misery that is life in today’s Detroit.

Act Three: A Glimmer Of Hope
This act is sometimes optional in Detroit documentaries. In other documentaries it’s the entire focus (but those are usually the boring documentaries). Anyway, the hopeful storyline should start off with a shot of downtown Detroit, this time with actual people in it, to show that life goes on despite all the horror.

Then you’ll want to cut to a project or business that is emblematic of what’s going right in the city. Here are some suggestions:

Don’t worry if most of the people you interview are white. Young white people who want to rebuild Detroit are totally in right now.

But try not to mention any of the really big companies downtown like GM, Compuware, the hospitals or anything related to Dan Gilbert. Your audience doesn’t want to hear about boring, big companies and their polished PR machine.

You should also avoid politics and politicians because that’s even more boring. A good rule of thumb is: If the person wears a suit, don’t put them in your documentary. Try to focus on people in a form-fitting t-shirts, thick-rimmed glasses and faded jeans.

There should be lots of references in this act to Detroiters’ work ethic.  Use words like “grit,” “blue-collar” and “hardscrabble” as much as possible. This is also a good time to use a shot of the Joe Louis fist sculpture.

As the documentary comes to a close, bring in a montage of images, this time showing buildings that are occupied, streets that have people on them and vegetation that is green. You might show one of those abandoned buildings as a callback, but this time include some sign of life – like a flower in bloom.

End the film with a quote from someone in your third act. Have them say something like: “The auto companies built this town. The [insert scapegoat here] brought it down. But us Detroiters have a hardscrabble, blue-collar, gritty work-ethic. We’ll build this city again.”

Cut to black.

Then prepare your pitch to Sundance.

Note to Detroit’s documentary filmmakers: We kid because we love.